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The Visiting Hour: Stephen Rea, a nursing home, the pandemic Review: Frank McGuinness’s short but meaningful new play has brought the Gate back to life about 2 hours ago ★★★☆☆ The Gate Theatre has been dark for more than a year. With the premiere of The Visiting Hour, a new play by Frank McGuinness, the neglected auditorium is ablaze with light. From row S, just in front of the emergency exit, a camera points towards a lush red curtain, which serves as a backdrop, rather than a frame, to the proscenium stage. A corridor of chandeliers illuminates the lone figure of a man in the distance. This is Father (Stephen Rea), a sad clown in a mismatched outfit that complements his mismatched memory and his ailing mind. With a shock of uncut curls and grizzly jowls, he looks dishevelled, neglected, confused. As the conditions for performance and the dramatic action are established (a reflective Perspex screen is screwed into the floor beside him), Daughter (Judith Roddy) en

Judith roddyKatie boyleCaitriona mclaughlinFrank mcguinnessGate theatreVisiting hourStephen reaஜூடித் ரோடிகேடீ பாயில்வெளிப்படையான மகிந்நெஸ்வாயில் திரையரங்கம்வருகை மணிஸ்டீபன் ரே