He Has Lit a Funeral Pyre in Everyone s Home
Dear Kamran Baradaran,
Your question is complex “what does it mean to be a philosopher in the middle of a pandemic in India”.
Philosopher has no adjective national, linguistic, and even of schools. In your question “the pan” or “the whole“ of the “pandemic” (what has befallen the whole) speaks of that which exceeds adjectives such as national boundaries. However, “the pan” exists as that which is found as the varying swaying silhouette of all the individual existences.
The extraordinary calamity that is unfolding in India is due mainly to the political conditions of Hindu fascism which is letting the coronavirus ravage through millions. It is a project reliant on the invention of Hindu religion. Hindu religion masks the fact that the real majority of the subcontinent are the lower caste people, the 90%, and the 10% minority of upper castes have been oppressing the former for millennia. To ensure upper
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In the source of painting, the encounter with the unfathomable The still faceless poem The still treeless forest The still unnamed songs But light erupts with leopard steps And the word rises wavers and falls It is an extensive wound and pure silence without…
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Jatindra Kumar Nayak has played a prominent role in a variety of literary and educational institutions in the state of Odisha and his translations, essays and lectures have been instrumental in presenting Odia literature to the larger world. For the last four decades, he has been exploring the print culture of Odisha. In this free-wheeling conversation with Murali Ranganathan, Nayak talks about how he has engaged with print Jatindra Kumar Nayak
How did your engagement with print get stimulated?
My father, Kashinath Nayak, was a writer of textbooks and books for children and managed the printing press owned by the Primary Teachers’ Federation at Puri. I was fascinated by the work of compositors and printers at this press. My father also used to take me along to the offices of some of his publishers in Cuttack during Dussehra. As a student at Ravenshaw College, Cuttack in the 1970s, I was actively involved in the publication of