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1 of 2 George Catlin’s 1832 drawing of “Ball-play of the Choctaw–Ball Up” in Oklahoma (Permission Smithsonian Institution) Ha-tchoo-tuck-nee, the Snapping Turtle (Peter Pitchlynn); The Snapping Turtle (Permission Smithsonian Institution) featured By Mike Cathey Guest columnist Apr 10, 2021 1 of 2 George Catlin’s 1832 drawing of “Ball-play of the Choctaw–Ball Up” in Oklahoma (Permission Smithsonian Institution) Ha-tchoo-tuck-nee, the Snapping Turtle (Peter Pitchlynn); The Snapping Turtle (Permission Smithsonian Institution) When George Catlin, a young Philadelphia lawyer and struggling painter, saw a delegation of Native Americans from the Far West in the late 1820s, he was inspired to embark on a new career. Admiring their grace and dignity — “arrayed and equipped in all their classical beauty” — and believing that their way of life was fas

United statesFort gibsonWichita mountainsHenry dodgeJoseph harrisonCharles dickensPeter pitchlynnGeorge catlinSmithsonian institution castleSmithsonian american art museumGilcrease museum in tulsaNative americansFar westIndian territoryArkansas riverDodge leavenworth expedition