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Kids Films Announced Streaming @ 2021 Sundance Film Festival Main Street

Kids Films Announced Streaming @ 2021 Sundance Film Festival Main Street The first round of Tumbleweeds Films For Kids will be available to stream starting January 29. by BWW News Desk Utah Film Center announced today a reimagined format for presenting engaging independent and international films for kids in order to meet the current needs of families and teachers during the COVID-19 pandemic. Tumbleweeds Films For Kids will bring mini festival experiences home through Utah Film Center s streaming platform hosting new films and workshops releasing at the beginning of each month. The first round of Tumbleweeds Films For Kids will be available to stream during the 2021 Sundance Film Festival starting January 29.

The 10 best Australian films of 2020

Aboriginal and Torres Strait Islander readers are warned that this story contains discussion of people who have died. You could be forgiven for assuming that having every single cinema and film set closed for over six months would render any list of this year’s best Australian movies a slightly truncated one, the only possible upside being an accompanying dearth of ‘worst films’. But while popcorn and choc top sales dipped alarmingly, there was no shortage of homegrown cinematic excellence, even if most of it never reached an actual big screen. Depending on your viewpoint, the streaming behemoths are either providing life support for motion pictures by chucking big bucks at every single script they see, or downloading the final nail into the box office coffin as the lounge becomes the default location for movie viewing.

From Relic to The Invisible Man: the best Australian films of 2020

10. A Lion Returns There’s lots of talking in writer/director Serhat Caradee’s Sydney-set family drama, with almost the entire first act consisting of a single dialogue scene in the back of a car. Jamal (Tyler De Nawi) is the black sheep of his family, to say the least, secretly returning home to Sydney’s western suburbs to visit his dying mother after joining Islamic State in Syria. The radicalised Jamal engages in long and tense debates with his kith and kin, during skilfully constructed dialogue exchanges that toss around big discussions about motivations people have for joining groups like Isis. The pangs of pain and betrayal are never far from the surface, with a baffled and heartbroken family unable to separate the personal and the political.

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