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Net-zero targets, virtual climate events and green recovery debates: The sustainability stories of 2020

Net-zero targets, virtual climate events and green recovery debates: The sustainability stories of 2020 With less than a week until Christmas, edie recaps what has been a busy year for sustainability stories, from the growing green recovery movement to the election of Joe Biden. We summarise the best-read and most important stories of 2020 We are frequently told that the pace of change in regards to environmental discussions and actions has never been so rapid - and that it will only continue to accelerate in the coming years.  2020 proved the trust of this statement. At the start of the pandemic, there was a feeling that the environment could be forgotten in a race to the bottom designed to restart the economy - but the growing green recovery movement has led to most sectors and nations imagining a greener future. 

Pantomimes 2020 round-up: what s available online

Pantomimes 2020 round-up: what s available online | reviews, news & interviews Pantomimes 2020 round-up: what s available online Pantomimes 2020 round-up: what s available online Children and adults are catered for by Veronica LeeMonday, 21 December 2020 Cinderella I did worry that pantomime – that most audience-driven of theatrical pursuits – might not work through the tube, but Nottingham Playhouse s warm and funny show dispels any doubts. Pandemic jokes abound (the audience must be smelly because they re sitting far apart, for instance) in writer-director Adam Penford s inventive romp. Cinderella I did worry that pantomime – that most audience-driven of theatrical pursuits – might not work through the tube, but Nottingham Playhouse s warm and funny show dispels any doubts. Pandemic jokes abound (the audience must be smelly because they re sitting far apart, for instance) in writer-director Adam Penford s inventive romp.

Cinderella review – classy panto with a defiant spirit

Last modified on Tue 15 Dec 2020 15.02 EST “Recently I’ve lost my sense of taste and smell,” says David Albury’s Prince as he wonders through the woods with Jessica Lee’s Dandini. Clearly it’s not too soon for Covid jokes in Nottingham Playhouse’s traditional panto. John Elkington and Tom Hopcroft as the ugly sisters have already made fun of the socially distanced audience for being too smelly to sit together. Their quips are true to the defiant spirit of a classy panto. Writer and director Adam Penford is not about to let the small matter of a pandemic stop the show from going on.

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