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Pan American Unity, a 30-ton, 74-foot-wide-by-22-foot mural by Diego Rivera, undergoes installation at the San Francisco Museum of Modern Art, May 16, 2021, where it will be on view starting Monday, June 28. A four-year, multimillion-dollar undertaking involving mechanical engineers, architects, art historians and handlers, fresco experts and riggers from the U.S. and Mexico will allow more people to see the monumental 10-panel fresco, long tucked away in the lobby of a theater at City College of San Francisco. Cayce Clifford/The New York Times.
by Carol Pogash
(NYT NEWS SERVICE)
.- For decades the monumental 10-panel fresco by Diego Rivera depicting a continent linked by creativity has been mounted in the lobby of a theater at City College of San Francisco. There, somewhat tucked away from the art world, it has been cared for as a labor of love by a de facto guardian who has long dreamed of finding a way to allow more people to experie
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John Bellamy Foster is editor of
Monthly Review and a professor of sociology at the University of Oregon. Brett Clark is associate editor of
Monthly Review and a professor of sociology at the University of Utah. Hannah Holleman is a director of the Monthly Review Foundation and an associate professor of sociology at Amherst College.
The “turn toward the indigenous” in social theory over the last couple of decades, associated with the critique of white settler colonialism, has reintroduced themes long present in Marxian theory, but in ways that are often surprisingly divorced from Karl Marx’s critique of capitalism, colonialism, and imperialism.