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FIRST: Why the Bride? Before we explore who the bride is, we must first understand her very existence. The original key art could have focused on Donna (she is the lead, after all) and the Dynamos. It could have emphasized the show’s recognizable draw: ABBA. It could have made the enchantment of the Greek islands the focal point. Nevertheless, Sophie was always the crux of the show’s positioning. “Highlighting the bride was a given from the start. The show was called Mamma Mia!, [Italian for] My Mother. The story was Sophie’s,” explains Lewis Macleod, founder of the studio Tangerine, which served as art director for the show’s marketing—before there was even a show to market: “This process began before there was even a script in place.”

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