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The week in theatre: J Ouvert; Under Milk Wood; Happy Days – review | Theatre

Sun 27 Jun 2021 05.30 EDT It is an unlikely phenomenon in the West End. Women slamming their arguments against the fourth wall of a proscenium arch theatre as if it were a wall of death. Within the past two years, Six have supplied feminism in farthingales. Now J’Ouvert, the third play in producer Sonia Friedman’s Re:Emerge season at the Pinter, roars across the stage in Lycra and feathers and sequins, turquoise and pink and scarlet, bumping and grinding. It is greeted, even by a socially distanced, quelled-by-Covid-regs audience, with whoops and a stirring among the stalls: in other circumstances there would be dancing.

Happy Days, Riverside Studios, review: an excellent evening of Beckettian prattle

Happy Days, Riverside Studios, review: an excellent evening of Beckettian prattle
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Happy Days review – Lisa Dwan swings from laughter to gothic gravity

Happy Days review – Lisa Dwan swings from laughter to gothic gravity
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Full company announced for Nunn s Happy Days revival

Happy Days at Riverside Studios. As previously announced, acclaimed Beckett interpreter Lisa Dwan will play Winnie in Trevor Nunn s production. She ll be joined by Simon Wolfe ( Dublin Carol, War Horse, Punk Rock) as her husband Willie. In the play, Willie and Winnie are stuck in every sense of the word. Endless days and nights pass by while they struggle on, with only each other for company. Completing the creative team are designer Robert Jones ( Fiddler on the Roof, Quiz), lighting designer Tim Mitchell ( Upstart Crow, Kinky Boots), sound designer Johnny Edwards ( Moorcroft), production manager Matt Towell ( Waitress, Come From Away), and costume supervisor Kate Hemstock (

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