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  Daniel senses my bubbling enthusiasm and invites me to tour his school, The Florence Academy of Art, along the via Aretina on the city’s outskirts. To enter is to be drawn back centuries. The 100 artist-students, of all backgrounds and ethnicities, might be dressed in 21st-century casual, but one immediately sees Botticelli, Vasari and Nelli in their figures and faces. Some seem to be adorned in 16th-century robes of hemp, palette in one hand, Mahl stick to support the brush hand in the other, a parade of fine artists floating in the natural white light.     That was a little more than a year ago. Now students are separated by plastic, painting through some odd looking-glass in order to stay safe and healthy. The plague has been in these parts before, devastating, debilitating and deadly, but the art of Florence persisted then, as it does now, while the world slowly rights itself. For the moment, the school is not a place for visitors, so Daniel, master painter, founde

New yorkUnited statesBeverly hillsArtemisia gentileschiCharles cecilPlautilla nelliSergei rachmaninoffNerina simiHanna andersonPalazzo vecchioHershey felderFlorence academy of artMaryland institute of artFlorence academyFlorence baptisterySister plautilla nelli