Carlton’s decade of draft disaster A Set the default text size A Set large text size
Replay A Set the default text size A Set large text size
It’s a tough gig being a Carlton supporter.
Another off-season teasing hope and aspirations that a corner will be turned, and another 0-2 start to the year.
With the development of young stars and the inclusion of multiple key signings over the trade and free agent period, Carlton fans had every right to be optimistic leading into the 2021 season. However, from what we have seen in the opening two rounds, it looks like the same old Carlton.
Art by Matt Chase.
The law of imitative representation, aka mimesis, reigned supreme in Western art for so long that its resistors sometimes found
it hard to stop battling it, even when and where it had lost its grip. Consider, for example, some responses to so-called concrete poetry on the part of advocates of so-called conceptual art. The writer and critic Lucy Lippard differentiates between concrete poetry’s naive strategies of linguistic resemblance “where the words are made to look like something, an image” and conceptualism’s more sophisticated liberty “where the words are used only to
avoid looking like something, where it doesn’t make any difference how the words look on the page or anything.”
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