The Offending Classic
Photo: Nikolai Aistov as the Rajah, Julia Sedova as Gamzatti and Pavel Gerdt as Solor (ca. 1902). Courtesy of the Marius Petipa Society.
We have recently seen a conflict over a Depression-era mural on the wall of a public school in San Francisco. It came under attack by the student body for its offensive content to minorities, even though the 1930s mural in question was by Russian leftist émigré artist Victor Arnautoff (hardly a household name) and was created as a protest against the injustice propagated by the United States of America against minorities.[1] A dead Native American at the feet of the first President of the United States is the offending element within this image. The irony in this image, which contests our country’s great democratic myth, is apparently no longer legible as such to the very interpretive community the artist might well have wished to address today. The dead Native American is now taken literally, and the representation itsel
Lee Hun-chung takes ceramic furniture beyond practicality
Posted : 2020-12-11 09:49
Updated : 2020-12-11 14:37 Installation view of Lee Hun-chung s exhibition Born Without Making at Park Ryu Sook Gallery in Seoul / Courtesy of Park Ryu Sook Gallery
By Kwon Mee-yoo
Artist Lee Hun-chung is difficult to define with one word. He is a ceramist, sculptor and architect whose work ranges from ceramic art furniture to large-scale installations on the faraway Portuguese archipelago of the Azores.
In his new exhibition Born Without Making at Park Ryu Sook Gallery on Mt. Nam, Lee explores the themes of solitude and relationships in his ceramic sculptures created around the theme island.