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Life continues sweetly for the 001 percent

2 min read Contemporary art may have been on sale at Sotheby’s last night. But the scene was more befitting a surrealist. Just hours before financial markets had one of their worst days in months. Embattled Italy threatened to destabilize the underpinnings of the global economy. Hundreds of protesters clamored outside the famed art house, alongside the buyers’ limousines, for greater income equality. Inside, the ultra-rich splashed out over $300 million in what connoisseurs called an epic auction. One modern interpretation suggests art has become more of an investment refuge for the plutocracy, like gold bars that go on your wall. It’s certainly one way to explain the eyebrow-raising prices for abstracts from the relative unknown Clyfford Still. The evening’s sensation was his “1949-A-No. 1.” A bidding war on the red-and-black painting drove the price up to nearly $62 million, more than twice the high-end estimate and a record for the artist. Gerhard Richter’s works a

L A artist and professor Roland Reiss dies at 91

Print Atmospheric fields of luminous color emanating from rectangular panels that appear to be torn paintings. Little tabletop stage sets for enigmatic dramas, enacted by doll-like figures and encased in plexiglass boxes. Life-size sculptures of classical figures and architectural elements in disarray. Lush, floral bouquets painted in bright, eccentric colors hot pink sunflowers, watery blue lily pads. Roland Reiss cut a wide swath in his art over his long life, moving between painting and sculpture, abstraction and figuration, as his interests shifted over a 60-year career. If there was a through-line in such a diverse array of work, it was a simple commitment to engaging a viewer in the adventures of exploratory perception.

Suzanne Hudson on the art of Deborah Remington - Artforum International

Suzanne Hudson on the art of Deborah Remington Deborah Remington, Haddonfield, 1965, oil on canvas, 74 1⁄8 × 69 . © Deborah Remington Charitable Trust for the Visual Arts/Licensed by VAGA at Artists Rights Society (ARS), New York. IN 1965, Deborah Remington returned to the East Coast after nearly two decades in California, memorializing her homecoming with the painting Haddonfield, named for the New Jersey town where she was born. Below a skewed butterfly shape, a steely abstract form is bisected and from there stutters into a pictorial void as it fans out toward the edges. Centered in its vertical frame like a Cubist figure in a studio portrait, the complex shape self-differentiates from the ground, which features a subtly modulating gradient shading from total opacity at the top to the lighter if still penumbral glow that appears to emanate from the form’s base. Dore Ashton, in a catalogue for Remington’s first retrospective, i

Dan Nadel on Philip Guston s Jewishness - Artforum International

Dan Nadel on Philip Guston’s Jewishness Philip Guston, If This Be Not I, 1945, oil on canvas, 42 1/4 × 55 1/4 . © The Estate of Philip Guston. TO BE A JEW in twentieth-century America was to be an outsider. We Jews gathered in temples and schools, we bought properties, physical and intellectual, to maintain control of our environments. We formed our own magazines. We exploited ourselves and others. Ashkenazi Jews can pass as non-Jewish when it suits us, or Jewish again when we wish to be “chosen.” And when blame is to be assigned, or walls erected, we can once again pass or not pass depending on the ideological needs of the times. The tension inherent in assimilation and rejection, donning and discarding a mask, is at the center of Philip (Goldstein) Guston’s work. It also accounts for some of the resentment, bitterness, and neuroticism embedded in so much twentieth-century art and entertainment. Guston lives in this tradition wi

Artist and educator Roland Reiss dies at age 91

Artist and educator Roland Reiss dies at age 91 Roland Reiss, Human Nature, 2012, Oil, acrylic, and vinyl on canvas. LOS ANGELES, CA .- We are saddened to announce the death of Roland Reiss, artist and educator, loving husband, father, and grandfather, who passed away on Sunday, December 13, of natural causes in Los Angeles, at his home and studio at The Brewery Artist Lofts. He was 91. Reiss is widely known for his miniatures but is foremost a painter. An influential and beloved voice in the Los Angeles and Southern California art scene, Reiss exhibited widely throughout his sixty-year career. He was included in the 1975 Whitney Biennial, documenta 7 (1982), and received fourteen solo museum exhibitions, including The Dancing Lessons: 12 Sculptures (1977) at the Los Angeles County Museum of Art. A retrospective at the Begovich Gallery at Cal State Fullerton (2014) highlighted his career of continual self-reinvention, which led to a groundbreaking body of work.

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