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Credit: MPI for Empirical Aesthetics
A facial expression or the sound of a voice can say a lot about a person s emotional state; and how much they reveal depends on the intensity of the feeling. But is it really true that the stronger an emotion, the more intelligible it is? An international research team comprised of scientists from the Max Planck Institute for Empirical Aesthetics, New York University, and the Max Planck NYU Center for Language, Music, and Emotion (CLaME) has now discovered a paradoxical relationship between the intensity of emotional expressions and how they are perceived.
Emotions vary in their intensity. A person being attacked by a house cat may well feel fear; but certainly their fear would be even greater if a lion or tiger were attacking them. So our emotions differ in terms of degrees of strength. But how does this affect our ability to infer meaning from how an emotion is expressed? Research on emotion has so far assumed that emotion expression
In a six-month study of more than 1,000 Americans, R. Kelly Garrett and Robert Bond found that U.S. conservatives were less able to distinguish truth from falsehoods in 20 viral political news stories that appeared online between January and July 2019. Differences in the political orientation of these stories may help explain this observation, the researchers note, writing that we find that high-profile true political claims tend to promote issues and candidates favored by liberals, while falsehoods tend to be better for conservatives.
New research finds that during COVID-19 stay-at-home orders, parental stress was higher during the workday compared to after the workday and lower during weekends than during weekdays.
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Right-wing voices set out powerful but misleading arguments to justify inaction by the Trump administration during the COVID-19 pandemic, according to a new study of the rhetoric used by high-level government officials and influential commentators in the US during the first half of 2020.
In a study published in the DeGruyter journal
Open Anthropological Research, Professor Martha Lincoln of San Francisco State University examined how public officials openly pushed for people to accept widespread illness and death from the virus by adopting a tone that suggested premature death was normal and the scale of death acceptable in the grander scheme of things.
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IMAGE: The manuscripts include arias that were foundational in the history of opera a genre that emerged in the early seventeenth century. view more
Credit: Michel Garrett, Penn State
UNIVERSITY PARK, Pa. In 1916 and 1917, a musician and book dealer named Giovanni Concina sold three ornately decorated seventeenth-century songbooks to a library in Venice, Italy. Now, more than 100 years later, a musicologist at Penn State has discovered that the manuscripts are fakes, meticulously crafted to appear old but actually fabricated just prior to their sale to the library. The manuscripts are rare among music forgeries in that the songs are authentic, but the books are counterfeit.