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Kitty Flanagan: Fisk is the latest success for the comedian

Happily, if not surprisingly, she nails it, starring as the frequently brusque Helen Tudor-Fisk. A lawyer who’s relocated to Melbourne following a marriage break-up – her husband left her for an older woman – she fibs her way into a job with an unprepossessing firm of suburban solicitors. Gruber & Gruber specialises in probate and will cases. Sexy, no? No. This is not a show that has any interest in the potentially glamorous side of the law: no headline-grabbing criminal cases or courtroom grand-standing here. And, in keeping with the milieu, its quietly grumpy protagonist mostly gets around in shapeless dust-brown pantsuits and clumpy shoes. She can’t do small talk, is uncomfortable about hugging and dislikes the word “moist”.

Neighbours star Shareena Clanton accuses the show of traumatising racism

Neighbours star Shareena Clanton accuses the show of traumatising racism
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A meeting of two Doreens | TV Tonight

Wentworth's 'Doreen' meets Prisoner's 'Doreen' on Ramsay Street for more double trouble.

Kitty Flanagan, from the Whip Around to Fisk

Kitty Flanagan owes it all to the ‘Whip-Around.’ Being invited to summarise Sydney events in a weekly segment on The Project reignited her popularity in Australia and led to new work opportunities. “ The Project put me on the map,” she tells TV Tonight. “I left Australia for 8 years because I wanted to be a stand-up. So I had to go to the UK just because there were more gigs, because I needed to work every night to get good. “I’d done Full Frontal but no-one really knew me from that. When I came back The Project gave me a TV profile. Suddenly it meant I could go on tour and do an hour show. You can’t tour without that kind of recognisability, I don’t think. It’s very rare.”

Kitty Flanagan and Julia Zemiro team up for dry legal comedy

Kitty Flanagan and Julia Zemiro team up for dry legal comedy We’re sorry, this service is currently unavailable. Please try again later. Dismiss Save Normal text size Kitty Flanagan is spot-on when she says her debut ABC sitcom, Fisk – which she co-wrote with her sister, musician and author Penny Flanagan – is “not another glamorous legal show”. Both the location (a dusty probate practice next to a busy Melbourne tram route) and Flanagan’s eponymous protagonist, Helen Tudor-Fisk (a recently divorced, unemployed lawyer who prefers to wear only brown chain-store pantsuits and whose outlook is one of meekly cynical irritation), are the epitome of drab. Indeed, the dictionary definition of “fisk” – “to make an argument seem wrong or stupid by showing the mistakes in each of its points” – is an apt description for Helen’s new job at Gruber & Gruber. Instead of courtroom theatrics, there is bickering over inheritances

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