Frieze Los Angeles at Paramount Pictures Studios in Hollywood. Photograph by Casey Kelbaugh.
Every week, Artnet News brings you Wet Paint, a gossip column of original scoops reported and written by Nate Freeman. If you have a tip, email Nate at [email protected]
After a year in which fairs got cancelled across the country,
Frieze looks like the lone survivor. Come May, the fair company owned by
Hollywood behemoth
Shed, the fancy glass box at
Hudson Yards with a terrifyingly expensive retractable door thing. Rules for entry are super strict vaccine passport or PCR test required for entry but for those who get in, the highlights are voluminous, as the big galleries are not holding back.
Helen Marden s Bitter, Lucky Light
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Supreme announces its latest collaboration for Spring/Summer 2021: a capsule collection with prominent NYC artist Clayton Patterson.
Canadian-born Clayton Patterson gained recognition for his New York City-centric artwork alongside partner Elsa Rensaa. Their shop, Clayton Caps located at 161 Essex St., took shape in the mid-80s and featured embroidery across the front and sides of baseball caps, pioneering the technique which is highly adopted to this day across streetwear. The illustrations featured folkloric designs and were stitched using 100-year-old embroidery machines, resulting in a distinctive look and feel.
The storefont eventually became a gallery that featured other prominent NYC artists like Dash Snow, Boris Lurie, LA II and others, while also featuring artwork from bikers and even religious worshipers. The archive of work housed within 161 Essex St. includes found footage on photo and video, books, postcards, press clippings, stickers, stamped heroin
Genera+ion sounds a lot like
Euphoria. Okay, I m glad we got that out of the way because while, yes, there are some obvious connections that can be made they both offer a raw look at the modern coming-of-age experience I can assure you
Genera+ion is wholly unique in its storytelling and character development. It’s a frank, sometimes humorous exploration of what it’s actually like to be a teenager today rooted in the experiences of its Gen Z creator, 19-year-old Zelda Barnz, who wrote the show with her father over a two-year period after coming out as bisexual. Barnz was meticulous in creating an authentic narrative, and that can be felt and seen in every part of the series. The characters talk and text like actual high schoolers, dress like TikTok stars, and are grappling with real-life issues such as complicated family dynamics, gender identity, sex, and teen pregnancy. And then, there is the subject of casting, which is really good and, maybe most importantly, believable.
El Planeta, 2021(Film still)
Futuristic and reflective, AnOther’s picks of this year’s digital festival span Dior Saddle bag-toting grifters and hunted mythical creatures
February 08, 2021
A recent Instagram post from the documentary filmmaker Matt Wolf summed up the current state of attending prestige film festivals globally very well: “I’m alone in a virtual Chinese restaurant at a Dutch documentary film festival,” he wrote, captioning a screenshot of his avatar enjoying “dumplings” and “karaoke” at an empty table. Surreal attempts to replicate physical festival mingling aside, the transferral of festivals like Utah’s
Sundance to the digital space has ushered in a new democratisation of these events, allowing fans everywhere to spot the films most likely to have an impact on culture for themselves. This year, the best storytelling showcased a cinematic landscape both self-reflective and radically future-bound: revealing alternate viewpoints on the past, and
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