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社説/激変期のCEO在任期間 取締役会は柔軟に判断を

社説/激変期のCEO在任期間 取締役会は柔軟に判断を
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Prisoners of the Ghostland : Film Review | Sundance 2021

Not the good kind of bonkers. TWITTER Nicolas Cage stars in Sion Sono s samurai-Western rescue story set in a post-nuclear wasteland. Three years ago, Sundance booked Panos Cosmatos Mandy, a hyperviolent, singularly weird film that ranks among the most worthwhile products of Nicolas Cage s anything-for-a-paycheck period. Cult-movie lightning doesn t strike twice with Prisoners of the Ghostland, a Cage-starring (mostly) English-language effort by prolific Japanese director Sion Sono. A mashup of idioms that sends Cage into a kind of netherworld to rescue (read: re-kidnap) a young woman for a petty tyrant, it alternates between too simplistic and incomprehensible, spending much of its time in between those poles in the I understand, but I don t care zone. Destined to be quickly forgotten, it would need to play a hardcore genre festival to find an appreciative audience of any size.

Prisoners of the Ghostland Review: A Match Made in Heaven — or Post-Apocalyptic Hell

Prisoners of the Ghostland Review: A Match Made in Heaven — or Post-Apocalyptic Hell
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Prisoners of the Ghostland Sundance: Sion Sono Wanted It There

Photo: XYZ Films Today marks the first day of a film festival that introduced the world to filmmakers like Quentin Tarantino, Kevin Smith, Ryan Coogler, and Damien Chazelle, just to name a few. It’s day one of the virtual 2021 Sundance Film Festival. Advertisement And while Sundance has helped make many directors household names, one who has long made a name for himself is Japanese filmmaker Sion Sono. The subversive, provocative director has been winning awards and dropping jaws for two decades with films like Love Exposure, Cold Fish and Tokyo Tribe. In all that time though, one thing Sono hadn’t done was make an English language film. That changes this week with the world premiere of

不景気は繰り返されるのか? 過去の恐慌から考察する

不景気は繰り返されるのか? 過去の恐慌から考察する
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