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Pinkerton: Dr Fauci, Meet Dr Frankenstein – Did Gain of Function Research Create a Monster?

Pinkerton: Dr Fauci, Meet Dr Frankenstein – Did Gain of Function Research Create a Monster?
breitbart.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from breitbart.com Daily Mail and Mail on Sunday newspapers.

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Los universos imaginarios

Los universos imaginarios
razon.com.mx - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from razon.com.mx Daily Mail and Mail on Sunday newspapers.

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Love Needs No Explanation in History is Made at Night

The restored Criterion edition of Frank Borzage's masterpiece romance shows the talent and intuition he had to reach the audience's hearts.

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Boles performing career spanned from local opera house to Hollywood s sound stages | Local News

Photo courtesy Dan Perkins Photo courtesy Dan Perkins Courtesy of Audie Murphy/American Cotton Museum Women swooned over matinee idol John Boles, who appeared as a handsome suave lover on the silver screen with the most glamorous ladies in Hollywood â his mentor Gloria Swanson, Claire Trevor, Joan Bennett, Lupe Velez, Ida Lupino, Margaret Sullavan, Dixie Lee (Mrs. Bing Crosby), Gloria Stuart (who came out of retirement for âTitanicâ in 1997), Loretta Young, Rosalind Russell in the well-reviewed âCraigâs Wife,â Irene Dunne (who costarred with Boles in âBack Streetâ and âThe Age of Innocenceâ) and iconic actress Barbara Stanwyck in âA Message to Garciaâ and âStella Dallas.â

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How Star Wars and Frankenstein Are Connected – /Film

.) It feels almost impossible to judge the cultural impact of the Universal Monster movies as they began releasing in the United States almost a hundred years ago. Looking at the box office figures and the interconnected universe they spawned over the 1930s and ‘40s, it was something akin to the Marvel Cinematic Universe or Star Wars for audiences of its day. The Frankenstein films, for the most part, starred Boris Karloff and were very loose interpretations of the classic Mary Shelley classic from 1818. Its themes of creating life after death and playing God were powerful and the films brought these ideas to easily shocked or offended audiences in the time before the Production Code. It even had to be edited down for blasphemy in some parts of the country because of Dr. Frankenstein’s bold statement that he’s replaced God by giving life to the monster.

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