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Her new album, Little Oblivions, ignores that impulse. Instead Baker doesn’t worry over how her fan base might view her. You can tell she’s writing for herself this time around. Here Baker gives a deeper insight into her psyche, seemingly processing thoughts in real time as she sings. Many of the songs were written when the artist experienced a relapse after speaking extensively about her recovery from substance abuse. Rather than hiding that aspect of her personal life, Baker narrates her missteps and the frustrations she has with herself throughout the album. In many ways, Little Oblivions is a re-introduction to Baker’s music. Both of her previous records focused on a soft, minimalist sound that highlighted Baker’s powerful voice and words. It’s the kind of music that is best listened to alone. Even her live shows replicate those records’ intimacy; a cough from an audience member is enough to distract from Baker’s performance. But

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