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Petite Maman Review: An 8-Year-Old Makes a Special Connection, and So Will Audiences

Petite Maman Review: An 8-Year-Old Makes a Special Connection, and So Will Audiences Petite Maman Review: An 8-Year-Old Makes a Special Connection, and So Will Audiences Tomboy director Céline Sciamma returns to the realm of childhood, this time with the aid of a device that brings generations together. Peter Debruge, provided by FacebookTwitterEmail Running time: Running time: 72 MIN. Variety “Give me a child until he is 7, and I will show you the man,” proposed Aristotle, to which fiercely feminist French director Céline Sciamma might add, “Give me a woman, and I will show you the free, unbroken spirit she still was at age 8.”

Review: Petite Maman

Review: Petite Maman
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Petite Maman review – Céline Sciamma s spellbinding ghost story

Last modified on Wed 3 Mar 2021 12.02 EST Céline Sciamma’s beautiful fairytale reverie is occasioned by the dual mysteries of memory and the future: simple, elegant and very moving. I fell instantly under its spell, and found myself thinking of classic English tales such as Tom’s Midnight Garden by Philippa Pearce, or The Child in Time by Ian McEwan. And there is an extra-textual pleasure in wondering exactly what its child stars thought about it during filming – and what they think about it now. Joséphine Sanz plays Nelly, the eight-year-old daughter of Marion (Nina Meurisse). The latter is under enormous stress. Marion’s mother has just died in a care home, from long-term complications of a hereditary bone disorder, which Marion herself had to avoid with a painful operation when she was about Nelly’s age. Young Nelly artlessly asks her mum if she can keep her grandmother’s cane, and Marion blankly agrees. Then Marion and her partner (Stéphan

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