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Dix-septième épisode de "la gueule de bois du dimanche" ou Sùnndi's Kàter comme on dit en alsacien. Tous les dimanches à 10h10 avec Philippe Sandmann pour son late show matinal sur France 3 Alsace.
Now, Josh Savage is releasing a new single in anticipation of his upcoming album.
In Too Deep will be available on May 14, from the collective
Another Life which is out in February next year. Josh, now based in Berlin, has never forgotten his roots and often plays the Railway Inn when touring the UK. His music is being released on his own label, Savage Tribe Records. He said: My heart was a battered vessel. But you made it glow. We speak the same language. Laugh in different tones. Have you ever fallen in love? Isn’t it absolutely terrifying? Opening up wholeheartedly, the vulnerability of exposing yourself to potential hurt past the point of no return.
Now, Josh Savage is releasing a new single in anticipation of his upcoming album.
In Too Deep will be available on May 14, from the collective
Another Life which is out in February next year. Josh, now based in Berlin, has never forgotten his roots and often plays the Railway Inn when touring the UK. His music is being released on his own label, Savage Tribe Records. He said: My heart was a battered vessel. But you made it glow. We speak the same language. Laugh in different tones. Have you ever fallen in love? Isn’t it absolutely terrifying? Opening up wholeheartedly, the vulnerability of exposing yourself to potential hurt past the point of no return.
Charlie Clouser
Clouser is a multi-instrumentalist composer, musician, producer, programmer, and remix artist who has worked with some of the seminal recording artists of the last twenty years. With his concentration now on music for visual media, Charlie continues to impress and amaze with his singular work.
Charlie came into prominence as a member of
Nine Inch Nails from 1994-2000. Before joining the band as keyboardist/programmer, he’d already built a following with his extreme synth work and remixes for
Prong, Marilyn Manson, White Zombie, and others. His dense layers of chopped-up beats and grinding synth bass lines were instrumental in defining the sound of White Zombie’s double-platinum 1994 breakthrough album