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Judas and the Black Messiah Review: Daniel Kaluuya, Lakeith Stanfield Bring Fred Hampton s Betrayal to Life

Judas and the Black Messiah Review: Daniel Kaluuya, Lakeith Stanfield Bring Fred Hampton s Betrayal to Life TheWrap 2/2/2021 © TheWrap Judas and the Black Messiah A movie about a not so distant past that speaks directly to the present, director Shaka King s blazing sophomore feature Judas and the Black the Messiah premiering at Sundance and coming to theaters and HBO Max later this month is a radical work on the final days of Chicago Black Panther leader Fred Hampton, made within the not-so-daring apparatus of a Hollywood studio. That it was conceived within those creative walls and still breathes freely as non-conformist art makes it all the more invigorating.

Judas and the Black Messiah : Film Review | Sundance 2021

From left: Daniel Kaluuya and LaKeith Stanfield in Judas and the Black Messiah Yesterday’s powder keg, still simmering today. TWITTER 2/12/2021 Daniel Kaluuya stars as Fred Hampton with LaKeith Stanfield as the FBI informant who betrayed both the Illinois Black Panther Party chairman and himself in Shaka King s powerhouse political drama. The 1969 killing at age 21 of Illinois Black Panther Party chairman Fred Hampton was a potent secondary plot point last year in Aaron Sorkin s The Trial of the Chicago 7. That same government hit job gets expanded treatment and wields proportionately explosive impact in Shaka King s Judas and the Black Messiah, a historical thriller with an urgency that speaks even louder more than half a century later. Led by sensational performances from Daniel Kaluuya as Hampton and LaKeith Stanfield as William O Neal, the FBI informant who infiltrated his inner circle, this is a scalding account of oppression and revolution, coercion and betrayal, r

Judas and the Black Messiah Review: Lakeith Stanfield Plays a Rat Among the Panthers

Judas and the Black Messiah Review: Lakeith Stanfield Plays a Rat Among the Panthers
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Judas And The Black Messiah review: Electrifying historical drama

Best Original Score Nominees Won t Include Sound of Metal & More – /Film

One Night in Miami. When it comes to music awards at the Oscars, the Academy has the following set of rules in place: The work must be the result of a creative interaction between the filmmaker(s) and the composer(s) and/or songwriter(s) who have been engaged to work directly on the motion picture. A score must be created specifically for the eligible feature-length motion picture and comprise a minimum of 60% of the total music in the film. If a score does not meet the minimum 60%, the composer may submit a letter to the Branch Executive Committee, stating reasons for the score to be accepted for consideration. All letters must be received by the due dates published by the Academy for the current awards cycle.

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