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Members of Congress Lavish Trips Paid for by Special-Interest Groups

Members of Congress Lavish Trips Paid for by Special-Interest Groups
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Capitol Hill s remote work still an option

Capitol Hill s remote work still an option
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The Paris Review - The Winners of 92Y s 2021 Discovery Poetry Contest

The Paris Review - The Winners of 92Y s 2021 Discovery Poetry Contest
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Eclipse, 2021

We’d both separately become fascinated with what we called “ephemeral views,” the opening one gets when a building has been demolished, usually preparatory to the erection of something larger and more looming. These rents in the grid exposed wonders: the back gardens and solaria of brownstone residences ordinarily shielded from street view, the rear buttresses and stained-glass nave of a midtown cathedral, old advertisements painted onto brick walls, a pyramidal shadow cast on a windowless blank wall, a sudden deepening of perspective.

The Royal Ballet: 21st-Century Choreographers review – racing out of the blocks

Last modified on Wed 19 May 2021 06.46 EDT It is a statement of intent that the Royal Ballet’s first show back for 2021 is focused on living creators, not classics from the vaults. We’re starting afresh, and the dancers are full of hunger and finesse, diving into new vocabularies and ways of storytelling. Christopher Wheeldon’s well-loved Within the Golden Hour is a safe opener, with its twinkling costumes, the minimalist swell of Ezio Bosso’s score and the kind of dance you can melt into – in Francesca Hayward and Valentino Zucchetti’s serenely slow pas de deux you can almost hear your heartbeat decelerating. But the rest of the programme suggests artistic director Kevin O’Hare is interested in things beyond pure beauty.

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