The 100 Best Documentaries of All Time
By Elizabeth Jackson, Stacker News
AND Nicole Johnson, Stacker News
On 5/5/21 at 8:00 PM EDT
Great documentaries often give access and illumination to stories that would otherwise go untold. The subject of a great documentary can be anything from a single individual s life to a broader political event, and the effect of the films can be anything from uplifting to devastating.
To celebrate the genre, Stacker created a ranking of the top 100 documentaries of all time by leveraging data on all documentary movies to create a Stacker score that serves as a weighted index split evenly between IMDb and Metacritic scores. To qualify, the film had to be listed as a documentary on IMDb, have a Metascore, and have at least 1,000 IMDb user votes. Ties were broken by Metascore and further ties were broken by votes. Documentary TV series were not included.
Movies on TV this week: An American in Paris ; Ben-Hur latimes.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from latimes.com Daily Mail and Mail on Sunday newspapers.
Show People (1928) to Quentin Tarantino’s elegiac
Once Upon a Time In Hollywood (2019) films about Hollywood, and by extension Los Angeles, have been there from the start of movies and continued in various guises throughout its multifarious history, often with tongue planted firmly in cheek. Throughout the sixties and early seventies several films were produced that spoke of the end of Hollywood as a creative enterprise, that is, as a field in which artists could examine their emotions and ideas and their response to the contemporary world – a civilization in crisis that they sought to describe or explore in depth from within. From Pier Paolo Pasolini’s
OK, so Orson Welles peaked at 26, but nobody has ever had a better cinematic peak.
Welles would be considered a genius if his movie career were judged on how it began, with âCitizen Kaneâ widely considered the best movie ever made and the one that established American movies as art. Instead, heâs remembered for the end of his career. Having endured a decadeslong fall from that height, he had become a big fat loser who shilled, while drunk, for a crummy vineyard that, in its much-lampooned catchphrase, pledged to âsell no wine before its time.â
Either way of looking at Welles shortchanges the fact that his movie career had a pretty incredible middle. While itâs possible he gets too much credit for âCitizen Kaneâ â as alleged by the movie âMank,â which is available on Netflix with Tom Burke playing Welles â the actor/writer/producer/director/vino huckster left plenty of evidence that he was extraordinary at each of those job
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