Vogue Germany alongside her supermodel mom. Though Heidi made it a point to keep her daughter out of the spotlight until that cover, she fully supported Leni s entrance into public life. Sixteen is a good age, Heidi told
Vogue Germany at the time. If you are allowed to drive a car, you can also have an official Instagram account and show your face. And to be allowed to start with a
Vogue cover is an insane privilege.
Being a model, Leni revealed in the interview, is something she s always dreamed of. It was only a matter of time before I would try to become a model myself, Leni said. The first offer came when I was only 12 or 13, from a brand I liked to wear: Brandy Melville. At that time I begged my mother, but no chance. Now I understand that it would have been too early.
USA TODAY
Leni Klum is continuing to follow in her model mother Heidi Klum s footsteps – this time, by appearing in Berlin Fashion Week.
The young model, 16, took part in an editorial film for the mostly-virtual fashion week, where she was styled by Vogue Germany s Editor-in-Chief Christiane Arp.
Photos of the shoot were shared on the official fashion week Instagram page on Jan. 18, where supportive mom Heidi Klum shared a heart emoji in the comments.
Leni Klum also shared some photos onto her Instagram, writing, My first Job for the @mbfw.berlin.
Her mom commented, L❤️ VE.
In the video exhibition, the young model presents designs from Steinrohner, Michael Sontag, Lala Berlin and more. One of the designs in the video is by Esther Perbrandt, who was the runner-up in Making The Cut, the 2020 design reality competition hosted by Heidi Klum and Tim Gunn.
Media Carousel: Pre-Holiday Rush Kathryn Hopkins
There’s been a lot of pre-holiday job news as companies have rushed to put out their announcements in the past few weeks.
First up, here’s a round-up of all the major changes happening at Condé Nast. The biggest news has to be that
Anna Wintour who was seen as on thin ice this past summer has instead been made even more powerful with the additional titles of chief content officer and global editorial director of Vogue. She was already artistic director and editor in chief of American Vogue.
More from WWD
Elsewhere in the Condé Nast reshuffle aimed at streamlining editions in a bid to save costs: