Sin rodeos, «Spirit: indomable» es para críos Miguel Anxo Fernández
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El fime tiene una historia bien contada y coartada perfecta para dejarse unos eurillos suplementarios en chuches y refrescos
05 jul 2021 . Actualizado a las 09:26 h.
Antes fue
Spirit, el corcel indomable (2002), una animación bienintencionada con la que DreamWorks insistía en el género quizá con la vana esperanza de equipararse a la ya entonces líder Pixar, objetivo que dos décadas después se antoja imposible, pese a haber logrado un estándar aceptable. Un estándar que ve rebajado el entusiasmo con
Spirit: indomable, con la que debuta Elaine Bogan -vinculada a la producción de la franquicia generada con
Rămâne de Văzut: Premierele weekendului în cinematografe
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Wealthy neighborhoods in Idaho more likely to get vaccinated against COVID-19, data show
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This article is part of a series on the history of graphic design and social activism in California from Artbound. Produced in partnership with Hyperallergic.
California s culture and art movements have long enjoyed a unique freedom from East Coast and European dogmas. This manifests itself in social, creative and aesthetic realms characterized by experimentation, openness and independence. Graphic design is a key element of defining this California way of life, from the clean, unencumbered lines of mid-century modernism to the flamboyant psychedelia of counterculture posters and publications, and the post-modern graphics of the 1980s and 90s. A mecca of consumerism, it is also a place of great creativity, freedom and social consciousness, where the status quo undergoes constant renovation, writes Louise Sandhaus in Earthquakes, Mudslides, Fires & Riots: California and Graphic Design, 1936-1986. Without solid ground, tradition lacks secure footing; old r
Summer Farmers Market Report - Wired PR Lifestyle Story
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