SC ethics panel fines Horry County Council leader for 2018 campaign finance violations
The Sun News 5 hrs ago J. Dale Shoemaker, The Sun News (Myrtle Beach, S.C.)
Jul. 16 Horry County Council s chairman Johnny Gardner admitted to six violations of state ethics rules stemming from his 2018 campaign for chairman, and agreed to pay a $3,650 fine, the South Carolina Ethics Commission said.
The charges against Gardner were campaign finance violations. An investigation by the Ethics Commission found that he improperly handled loans to his campaign and accepted several campaign donations greater than allowed limits.
Gardner signed a consent order Wednesday to admit wrongdoing. It was released Thursday.
For the first time in its 49-year history, the celebrated
RockyGrass bluegrass festival will offer a dynamic livestream. Produced by award-winning NOCOAST TV, the high-definition stream, which features 8 cameras and stereo audio will be available July 23rd to 25th, 2021.
The sold-out festival lineup includes Bela Fleck: My Bluegrass Heart, Sam Bush Bluegrass Band, The Infamous Stringdusters, Del McCoury Band, Della Mae, Tim O’Brien Band, Peter Rowan & Jerry Douglas, the Lil Smokies, and more.
Planet Bluegrass has coordinated a unique on-stage collaboration to celebrate the life and music of the late flatpicking guitar legend Tony Rice featuring Sam Bush, Béla Fleck, David Grisman, Jerry Douglas, Bryan Sutton, Chris Eldridge, and Mark Schatz, who have 22 GRAMMY wins between them.
Gloucestershire business appointments round-up: June 2021 - soglos.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from soglos.com Daily Mail and Mail on Sunday newspapers.
Chris Eldridge and
John Zorn. Some projects have been better than others, especially as his instrumental skills grew faster than his writing abilities. But he truly got better with every album, and they’ve all led up to
Squint, his leader debut for the revered Blue Note label.
Lage has always claimed as many influences from rock, blues, folk and country as from jazz, and as he’s gotten older, he’s folded them into his music with increasing subtlety. This is no blowing session, where he shows off every style he can play. Instead Lage uses just the right bits of his experiences to serve each song. Witness the effortless swing of “Boo’s Blues,” which nods to the genre in the title without being an overt 12-bar showcase, or the vibrant post bop of “Familiar Flowers,” which draws from the same eclectic well as John Abercrombie without copying the late master. “Quiet Like a Fuse” displays a sure touch on soulful balladry, while a cover of