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Music hits the throttle of The Taking Of Pelham One Two Three

Music hits the throttle of The Taking Of Pelham One Two Three
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Francis Ford Coppola hit and missed with One From The Heart

Watch This offers movie recommendations inspired by new releases, premieres, current events, or occasionally just our own inscrutable whims. This week: With the release of Gia Coppola’s new movie, Mainstream , we’re highlighting other work from the extended Coppola family. Advertisement One From The Heart (1982) One by one, the triumphant Movie Brats tripped, each with an attempt to fuse their personal sensibilities with those of an old Hollywood musical. Martin Scorsese was first, following up with New York, New York, a non-integrated period musical that’s somehow a less pleasant experience than watching Travis Bickle losing his grip on reality. Steven Spielberg’s big-budget boondoggle

Maya Hawke Talks Stranger Things Season 4 and Her Famous Parents (Exclusive)

Maya Hawke is teasing a scary turn for her character in  Strangers Things fourth season. ET s Katie Krause spoke to the 22-year-old actress, who plays Robin in the Netflix series, about what fans can expect when the new season debuts. The Duffer brothers [Matt and Ross Duffer, the show s creators] are just really free and really smart. They re not allowing themselves to get stuck. They keep changing. They keep growing. They keep investing and building the characters, Hawke said. It s an honor to be a part of it, and work with them, and watch them build these people, especially Robin. . They really dig into her this season and I m really, really grateful.

Deadhouse Dark review: a hit-and-miss horror anthology with one huge gross-out

Horror might be the genre best-suited to the short-film format. Tension and suspense are both good and worthwhile, and they benefit from the slow-burn, long-form approach of horror directors like Guillermo del Toro, Ben Wheatley, or Jennifer Kent. But straight terror? Terror is an instantaneous reaction that allows for compressed storytelling, and anthology films like Scary Stories to Tell in the Dark and The Mortuary Collection leverage this quality to their benefit. Each of those anthologies offer up scares in increments of 20 minutes or so, from the former’s exploding spider bite to the latter’s elaborate babysitting frame story. The buildups are quick, and the payoffs are satisfyingly unsettling.

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