Itâs not often you find an oyster diver fronting a fashion campaign. But then again, & Other Storiesâs collaborations are always wonderfully different. Following in the footsteps of Fern Fans, Kim Gordon and Ada Kokosar is Rejina Pyo, who selected Lotta Klemming, Swedenâs only female wild oyster picker; Brittany Asch, an LA-based florist-cum-artist, and Poppy Okotcha, a forager growing an edible and medicinal garden in Devon, to model her spring capsule collection. The combination of the trioâs strength, passion and connection to nature was magnetic for Pyo, who wanted to ground the project in real lives.
Lotta Klemming.
Of course, music (particularly the louche swagger of rock and roll) is central to the allure of Saint Laurent – it’s fashion legend that Yves Saint Laurent dressed Mick and Bianca Jagger for their wedding in 1971 and who is Kim Gordon, or Courtney Love, without a Le Smoking draped over their shoulders?
It was just last year that Vaccarello launched Paris’ Rive Droite experiential boutique, with the aim of honing the label’s storied connection to music and creating a blueprint for curated cultural experiences. While the full extent of the store’s programming has, understandably, been drawn back quite dramatically over the past year, you can still catch Vaccarello’s Live Sessions over the coming months, broadcast both across the Saint Laurent social channels and on the brand’s website.
The 100 Best Alternative Singles of the ’80s: 20 – 1
Songs of anxiety, paranoia, freak-outs, chilling verses, feverish desire, harrowing lyrics they all make for damn good music.
20. The Police – “Spirits in the Material World” (1981)
The opening track and first single from the Police‘s fourth album
Ghost in the Machine, “Spirits in the Material World” is a tense expression of anxiety and paranoia. It vividly demonstrates how far ahead The Police were over many of their contemporaries in terms of musicianship, their deft arrangements, and the gravity of Sting’s lyrics. “Spirits in the Material World” is a complex musical puzzle during the taut verses before retreating to straightforward rock during the chorus. During the verses, Stewart Copeland’s rhythm anchors the alarm bell combination of reggae-flavored synths and guitar, while Sting’s explosive bursts of bass roil like snakes in a burlap sack. Faint squeals of sax and a jittery counter-melody of
Rat Girl by Kristin Hersh
From
Kristin Hersh has spanned the alternative music genre as a singer, songwriter and guitarist. In
Rat Girl, she offers readers an in-depth look at her life as a musician. At 15 years old, Hersh and her bandmates in Throwing Muses were beginning to see the fruits of their labor come to life with a possible major-label signing. When she was diagnosed with bipolar disorder, everything changed for her. With
Rat Girl, Hersh delivers an unapologetic story about being a woman in the music industry while juggling her mental health and growing into adulthood.
Hunger Makes Me A Modern Girl by Carrie Brownstein
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