comparemela.com

Page 3 - கிநெடிக் கலை News Today : Breaking News, Live Updates & Top Stories | Vimarsana

On the Town: Check out Moving Vision, art of 60s, 70s – The Journal Record

On the Town: Check out Moving Vision, art of ’60s, ’70s By: Lillie-Beth Brinkman The Journal Record February 22, 2021 Lillie-Beth Brinkman In spite of the recent snowstorm and record-cold temperatures in Oklahoma last week, it is an exciting time to visit one of Oklahoma City’s museums. Three of them launched interesting and major exhibits in the last week that you won’t want to miss. I have already written about Oklahoma Contemporary Arts Center’s “Ed Ruscha: OKLA” exhibit and will be writing more about the fascinating “Spiro and the Art of the Mississippian World” at the National Cowboy and Western Heritage Museum.

Mind-bending exhibition at the Oklahoma City Museum of Art features Op and Kinetic art

Mind-bending exhibition at the Oklahoma City Museum of Art features Op and Kinetic art John Pearson (American, b. 1940) Call #2, 1966. Acrylic on canvas. © John Pearson, courtesy of the Carl & Marilynn Thoma Art Foundation, photo by Jamie Stukenberg. OKLAHOMA CITY, OKLA .- A new exhibition opening Feb. 20, “Moving Vision: Op and Kinetic Art from the Sixties and Seventies,” features movement – both real and perceived. “Moving Vision,” organized by OKCMOA, highlights one of the great strengths of the Museum’s permanent collection – extensive, highly regarded holdings in Op (optical) and Kinetic (movement) art. The Museum will produce an original, illustrated catalogue for the exhibition, contributing significantly to the scholarship surrounding these deeply innovative artistic movements.

Soviet Kinetic art show includes more than 400 works exploring the once marginal phenomenon

is an official media partner of the Tretyakov Gallery A sweeping survey of Soviet kinetic art at the New Tretyakov Gallery in Moscow has become one of the best critically received exhibitions to open this year in the Russian capital. Future Lab: Kinetic Art in Russia (until 10 May) opened after the city came our of its second Covid-19 lockdown and explores the beginnings and influence of the post-war avant-garde movement. The movement was regarded for a long time as a “marginal phenomenon” of 20th Russian art history, since it did not fit into the discourse of “conflict between art and authority”, says the exhibition curator Yulia Aksenova. “[It] neither spoke in the language of power, nor spoke out against it.” But it appears to have resonated with the museum-going public in today s Moscow.

Exhibition offers a glimpse of François Morellet s prolific and multi-faceted oeuvre from 1953-2013

Exhibition offers a glimpse of François Morellet s prolific and multi-faceted oeuvre from 1953-2013 François Morellet, Rouge pair - Bleu impair n° 5, 2012. Eleven red neon tubes and 9 blue argon tubes, acrylic on canvas, 120 x 100 cm / 47 1/4 x 39 3/8 in. © François Morellet/Artists Rights Society (ARS), New York/ADAGP, Paris. Courtesy Estate Morellet. NEW YORK, NY .- François Morellet (1926 – 2016), a prolific self-taught painter, sculptor, and installation artist, developed a radical approach to geometric abstraction during a career spanning more than six decades. The artist’s inaugural exhibition with Hauser & Wirth, ‘François Morellet. In-Coherent,’ offers a glimpse of Morellet’s prolific and multi-faceted oeuvre from 1953 – 2013, including some rarely seen key abstract geometric paintings from the 1950s and 1960s, a major wall installation from 1977, space installations and several neon works, a medium pioneered and continuously readdressed by the artist through

Moving Vision Exhibition of Op and Kinetic Art To Feature Doctors, Scientists in Virtual Programs

Email is invalid Julian Stanczak (American, 1928 – 2017 ) Burning Red , 1969, Acrylic on canvas, 48 x 44 in. Oklahoma City Museum of Art, Museu m purchase with funds from the Jerry Westheimer Family, 1969.052 © The Stanczak Foundation Reginald Neal (American, 1909 – 1992 ) Eight of a Maze - Blue and White , 1965, Lithograph and Plexiglas construction, 21 1/2 x 29 1/2 in. Oklahoma City Museum of Art, Museum purchase with funds from the Beaux Arts Society Fund for Acquisitions and the Pauline Morrison Ledbetter Collections Endowment , 2016.061 © Estate of Reginald Neal John Pearson (American, b. 1940) Call #2, 1966. Acrylic on canvas. © John Pearson, courtesy of the Carl & Marilynn Thoma Art Foundation, photo by Jamie Stukenberg Tadasky (Tadasuke Kuwayama) (American, born Japan 1935). C-182 (detail), 1965. Acrylic on canvas. Oklahoma City Museum of Art. Museum purchase with funds from the Beaux Arts Society Fund for Acquisitions and the Pauline Morrison

© 2025 Vimarsana

vimarsana © 2020. All Rights Reserved.