Attend the tale of Anyone Can Whistle, then and now
From left: Maria Friedman, John Owen Edwards, John Yap and Stephen Sondheim work on a recording of Anyone Can Whistle, at Abbey Road Studios in London, in 2013. A sparkling new recording of the 1964 musical makes half the case for Stephen Sondheims endlessly inventive score. Doug Craib, via JAY records via The New York Times.
by Jesse Green
(NYT NEWS SERVICE)
.- A new recording of Anyone Can Whistle, the 1964 musical by Stephen Sondheim and Arthur Laurents, has for decades been on the wish lists of Broadway cultists and completists. Now that their wish has been granted a complete studio version from the English label Jay Records was released in December I think theyll find that new isnt always enough.
ASHLANDÂ With an overwhelmingly positive approval rate, according to Members Choice Credit Union, members of Greenup County Federal Credit Union (GCFCU) voted in favor of the merger with Members Choice.Â
This was the final step in the approval process and was announced at a special meeting on Feb. 3. The merger will be effective on March 1, with the completion taking place over the weekend of Feb. 26. GCFCU has one location in downtown Russell on the corner of Bellefonte Street and Poplar Alley and will remain open, according to a press release.
Kay Thompson, GCFCU Board Chair said, âGreenup County FCU has always kept the interest of our members in the forefront of our minds. The decision to partner with Members Choice Credit union came with much thought and care for our members and staff. They provide exceptional member service with a family-like culture, like us.â
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In Fabric, BBC Two, 11.20pm Writer-director Peter Strickland follows the stylised weirdness of Berberian Sound Studio and The Duke Of Burgundy with an off-kilter horror comedy about a desirable red dress that hungers for the blood of any woman that dares wear it. Catalogue model Jill (Sidse Babett Knudsen, who also starred in The Duke Of Burgundy) meets a grisly fate after she slips on the red fabric. The couture becomes an object of obsession for divorcee Sheila (Marianne Jean-Baptiste), who spots the garment in a sale at her local department store. She hopes the striking red dress will empower her to face odious boss Clive (Steve Oram) and wipe the smug grin off the face of her son’s condescending girlfriend, Gwen (Gwendoline Christie). Sheila is completely unprepared for the transformation the frock will inspire or the carnage that will be left in her wake.
March 2021 cover star Angelina Jolie wearing a Burberry polo neck, Max Mara cigarette pants and Chanel flats in an homage to Audrey Hepburn.Â
Craig McDean
Funny Face also formalised Hepburnâs working relationship with the French couturier Hubert de Givenchy. The fashion-obsessed actor (sheâs said to have splashed some of her
Roman Holiday pay cheque on a Givenchy coat), first approached the bemused designer to create costumes for her role in
Sabrina (1954), but too pressed for time, he let her choose from his collections instead. The film later snagged an Oscar for Best Costume Design, and when Edith Head neglected to mention Givenchyâs contribution in her acceptance speech, Hepburn insisted that the designer create all of her screen looks from then on⦠starting with