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If our collective lockdown desires were manifested in a single objet, it might well be one of Gergei Erdei’s Grand Tour cushions. Available in shades of cobalt blue, rust and jade green, these double-sided linen pillows are inspired by “beautiful European scenes” – and quite possibly the next hot interiors ticket following Anissa Kermiche’s Love Handles vase. “I’ve got a kaleidoscope of visual references,” Erdei tells Vogue over the phone from his London flat. On his mental home-screen while designing? Slim Aarons’s photographs of the jet set; occult drawings from the medieval period; the architecture and designs of Le Corbusier; ’70s style icons, from Anita Pallenberg to Françoise Hardy; and both Renaissance Italy and the world of antiquity. Many of the prints on his cushions, for instance, are lifted from the marble intarsia floors of Pompeii, while his Zodiac placemats nod to the constellation frescoes at Villa Farnese in Ca

City ofUnited kingdomSlim aaronsVilla farneseLe corbusierGergei erdeiGrand tourAnissa kermicheLove handlesAnita pallenbergRenaissance italyநகரம் ஆஃப்ஒன்றுபட்டது கிஂக்டம்மெலிதான ஆரொன்ஸ்லெ கார்பூசியர்மாபெரும் சுற்றுப்பயணம்