Best of the City 2021: Culture - San Antonio Magazine sanantoniomag.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from sanantoniomag.com Daily Mail and Mail on Sunday newspapers.
Thanks to our new pandemic reality, the ambitions, aspirations, and survival instincts of the arts profession have been tested in every way imaginable. Artists around the globe have risen to this challenge in multifarious ways, creating new and exciting innovations for an ancient artform.
From custom socially-distanced auditoriums to advancements in air filtration and disinfecting to strict protocols for audiences, actors, and staff, the return to traditional venues has been largely an experiment in trial and error, with numerous concepts deployed to varying degrees of success. With the present and future of theatre as we know and love it still largely uncertain, many artists are forging ahead in other ways, creating unique and impressive theatrical experiences via a multitude of mediums.
The Office continues to be a fan favorite as the kooky adventures of Dunder Mifflin employees were the most-watched title on any streaming service throughout all of 2020. Now, Right Angle Entertainment is expanding The Office Parody franchise in 2021 with The Office! A Murder Mystery Parody: Who Is The Scranton Strangler?, a one of a kind, all-new interactive and immersive parody walking tour.
Arthur Brand is an art sleuth based in Amsterdam.
His clients ask him to find stolen works of art, and to find out whether a painting or sculpture being sold on the black market is the real thing.
One day, he received an email with an image attached of two gigantic horse sculptures.
The unknown owner of these statues was claiming that they had once belonged to Adolf Hitler and had stood outside his chancellery building in Berlin.
This led Arthur into a murky world of black market art dealers, billionaire collectors, and Neo-Nazis.
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Duration: 50min 7sec
Mwazulu Diyabanza has been fined and jailed for entering museums and forcibly removing ‘pillaged’ African artefacts. He tells our writer why the British Museum is now in his sights