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Exhibition spans more than 3,500 years to offer various degrees of ventriloquized voices

Exhibition spans more than 3,500 years to offer various degrees of ventriloquized voices Installation photograph, NOT I Throwing Voices (1500 BCE-2020 CE), Los Angeles County Museum of Art, 2021, photo © Museum Associates/LACMA. LOS ANGELES, CA .-The Los Angeles County Museum of Art is presenting NOT I: Throwing Voice (1500 BCE2020 CE), an exhibition using ventriloquism, literally and liberally, to explore the representations of sounds and voices and their disquieting capacity of refraction, synchronicity, and misdirection. Ventriloquism relies on the confusion between sight and hearing, performer and puppet, silence and speech; and confronts issues of identity, embodiment, agency, performance, and objecthood. Even the most conventional ventriloquist sketch is defined by the continuous recasting of questions on the imbricated relationship between voice, speech, identity, and authority: Where is the voice coming from? How is that voice split into many bodies? Whose voice is thi

Japan
Luis-carcedo
Edward-ruscha
Patricia-fern
Camila-mar
Alexandre-vattemare
Luis-blondet
Olivo-kuriki
Raven-chacon
Los-angeles-public-library
Los-angeles-county-museum-of-art
Los-angeles-county-museum

The Museo Nacional del Prado pays tribute to its own history with a permanent installation

The Museo Nacional del Prado pays tribute to its own history with a permanent installation Image of the exhibition galleries Photo © Museo Nacional del Prado. MADRID .-The Museo del Prado opened its doors for the first time on 19 November 1819 with the name of Real Museo de Pintura y Escultura. That early museum displayed only 311 works, all of them by Spanish painters. Now, 200 years on, the Museo del Prado is considered Spains leading cultural institution, shared cultural patrimony of which all Spaniards are proud and a legacy of incalculable value in the history of culture. Taking the evolution of the Museums architecture as its guiding thread, this new installation offers a reflection on the historical and political events which transformed the initial Real Museo into the public institution of international renown which it is today. In parallel, the display shows the changes and modifications that have come about over time in terms of the Museums public image, its st

Spain
Madrid
Spanish
Spaniards
Miguel-falomir
Patrimonio-nacional
Pinturay-escultura
Fernando-brambilla
Rafael-moneo
Alfonso-fern
Samsung
Museo-del-prado

Amanda Phingbodhipakkiya unveils powerful & timely installation in Meatpacking District

Amanda Phingbodhipakkiya unveils powerful & timely installation in Meatpacking District The installation from the NYC Commission on Human Rights and Public Artist in Residence Amanda Phingbodhipakkiya integrates visual art and technology to create a large-scale sculptural representation of the stories of survivors. NEW YORK, NY .- The New York City Commission on Human Rights announces the latest work from Public Artist in Residence (PAIR) Amanda Phingbodhipakkiya entitled May We Know Our Own Strength. Located in Meatpacking District in partnership with the local Business Improvement District (BID), the interactive installation transforms the accounts of survivors of sexual and gender-based violence into large, room-scale sculptures. The installation employs sixteen internet-connected printers, placed in a high-traffic storefront window, that will relay anonymous survivors stories provided through an online submission form.

New-york
United-states
Americans
Jeffrey-lefrancois
Suncha-kim
Daoyou-feng
Gonzalo-casals
Amanda-phingbodhipakkiya
Carmelynp-malalis
Commission-on-human-rights
Department-of-cultural-affairs
York-city-commission-on-human-rights

Pace Gallery opens Marina Perez Simão's first solo exhibition in New York City

Pace Gallery opens Marina Perez Simão s first solo exhibition in New York City Marina Perez Simão, Untitled, 2021. Oil on canvas, 78-5/8 × 97 (199.7 cm × 246.4 cm). © Marina Perez Simão. Courtesy of the artist, Mendes Wood DM, and Pace Gallery. NEW YORK, NY .-Pace Gallery is debuting São Paulo-based artist Marina Perez Simãos first solo exhibition in New York City. Rooted in the natural landscape of her native Brazil, Simãos luminous oil paintings pulse with a magnetic, musical, and hypnotic presence that make the viewers eye dance. Influenced by painters such as Tarsila do Amaral, Agnes Pelton, and Luchita Hurtado, Simãos work is situated within a larger constellation of artists who have similarly used the landscape to explore the metaphysical elements of nature. With the artists new series of paintings, which have been unveiled at Paces New York space this spring, Simão presents a symbol of hopea beacon for a future not yet mapped out but filled with

New-york
United-states
Bangladesh
Rio-de-janeiro
Estado-do-rio
Brazil
Netherlands
Minas-gerais
Acre
Kentucky
Veredas
France

How the Chicxulub Impactor gave rise to modern rainforests

How the Chicxulub Impactor gave rise to modern rainforests New and improved plant sex: Plants produced attractive flowers containing sugary rewards for insects who carry pollen (basically the male sperm of the plants) to other flowers, helping plants reproduce. This strategy was so successful that flowering plants took over tropical forests, and the world. WASHINGTON, DC .- Tropical rainforests today are biodiversity hotspots and play an important role in the worlds climate systems. A new study published in Science sheds light on the origins of modern rainforests and may help scientists understand how rainforests will respond to a rapidly changing climate in the future.

Colombia
United-states
Norfolk-island
National-museum-of-natural-history
District-of-columbia
Chicago
Illinois
Washington
America
American
Conrad-labandeira
Fabiany-herrera

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