Friends give support to Darke County K-9 Unit
By Carol Marsh - DarkeCountyMedia.com
Darke County Friends of the Shelter stand with Darke County Deputy Tyler Young and K9 Officer, Annie (front, left), and Darke County Sheriff’s Deputy Colton Magel and K9 Officer, Bear (front, right).
Carol Marsh | Darke County Media
Darke County Sheriff’s Deputy Tyler Young stands with K-9 Officer, Annie, in her new ballistic vest, presented by the Darke County Friends of the Shelter.
Carol Marsh | Darke County Media
Darke County Sheriff Deputy, Colton Magel stands with K-9 Officer, Bear, as the Darke County Friends of the Shelter present a new training body armor to the Darke County Sheriff’s K-9 Unit.
New Music Reviews (5/24) KEXP
Each week, Music Director Don Yates (joined this week by DJ Alex) shares brief insights on new and upcoming releases for KEXP s rotation. These reviews help our DJs decide on what they want to play. See what we added this week below (and on our Charts page), including new releases from
Mdou Moctar,
Afrique Victime (Matador)
This Agadez, Niger-based guitarist’s sixth studio album is a powerful blend of traditional Tuareg music and fiery psych-rock, combining acoustic and electric guitars (including lots of incendiary, sky-scraping solos) with call-and-response vocals, hypnotic melodies and lyrics blending the political and the personal. DY
Lambchop Calls on the Evocative Power of the Piano for Showtunes nashvillescene.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from nashvillescene.com Daily Mail and Mail on Sunday newspapers.
Album - Lambchop: Showtunes
by Joe MuggsWednesday, 19 May 2021
Lambchop leader Kurt Wagner has suggested that the title of this album is semi literal: that he wanted to write “something akin” to classic, Great American Songbook show tunes, rather than his usual country-tinged style. If so, it’s for a rather gloomy sort of a show.
Lambchop leader Kurt Wagner has suggested that the title of this album is semi literal: that he wanted to write “something akin” to classic, Great American Songbook show tunes, rather than his usual country-tinged style. If so, it’s for a rather gloomy sort of a show. At the beginning, it does suggest you’re going to get some high drama: the rather Leonard Cohen-ish “A Chef’s Kiss” would certainly fit in a middle of a musical in the “how did I get here, where will I go?” bit where the protagonist is alone in the spotlight on a blank stage. But where you might expect such a number to pick up to high emoting, despite its an