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Adam Parshall “I fantasize about it,” Craig Finn says of his first post-Covid gig with The Hold Steady, still unscheduled, like all gigs and all things. “There’s a celebratory but also a physical aspect of the shows we play,” he continues, and he is both absolutely correct and vastly understating the point. Finn, 49, is a tornado of bliss and poetry onstage, a guy who begins each show looking like the creative writing professor he once was and ends each one an unlikely rock god. In every last encore, Finn tells the crowd, “There is so much joy in what we do up here,” and while from someone else it could come off self-serving, at the end of a Hold Steady show, it is just a fact. A Hold Steady show is cathartic and ecstatic, a situation where you wind up arm in arm with a stranger, maybe two, definitely someone else’s beer down your front. The vibe in the crowd is joyful, communal, sweaty. It’s the kind of thing we’ve been denied for nearly a year, and as the band

New yorkUnited statesCity ofUnited kingdomCraig finnChris behaJosh kaufmanEugene gologurskySteve selvidgeDouglas wilson shuggie bainFranz nicolayHold steadyOpen door policyThirty tigersDoor policyDark side