Saigoneer
Trigger
“Điển is like a flower; there is no question of growing or not growing.”
It’s the same with Lê Triều Điển and creating art, according to his fellow painter and friend of many years, Tri Ròm.
“My paintings are like scar tissue,” Điển says when pressed for the best feedback he’s ever received about his paintings. “You might look at them and see rubbish, but they heal pain,” he adds before likening them to the lotus flowers that emerge from the muck in his delta homeland.
A flower emerging from mud is an apt metaphor for Điển’s life and career as a whole. He was born in the Mekong Delta in 1944, and the past eight decades have involved the poverty, sacrifice, war and trauma that are sadly common to his generation, as detailed in his powerful autobiography
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The 1889 painting of the olive groves outside an asylum Van Gogh was staying in has been hiding a secret for years a dead grasshopper stuck in the paint.