comparemela.com

Page 9 - ஓபரா கில்ட் News Today : Breaking News, Live Updates & Top Stories | Vimarsana

Music and Arts Grants Are Available Through California Casualty

Music and Arts Grants Are Available Through California Casualty Share Article California Casualty gives educators an opportunity to elevate student creativity with funds available through its 2021 Music and Arts Grant program. K-12 administrators, instructors and educational support professionals with a financial need for their performance, artistic, or classroom programs can submit their grant request at http://www.calcasmusicartsgrant.com. 2021 Music and Arts Grants Available Through California Casualty The importance of the arts can’t be overstated. SAN MATEO, Calif. (PRWEB) February 02, 2021 California Casualty invites K-12 administrators, instructors and educational support professionals to apply for a 2021 Music and Arts Grant if their performance, artistic, or classroom program needs funding.

MusicalAmerica - MA s Free Guide to (Mostly) Free Streams, Feb 1-8

2 pm ET: NDR Elbphilharmonie Orchester presents Gilbert conducts Prokofiev. Daniil Trifonov joins Hamburg’s NDR Elbphilharmonie Orchestra for Prokofiev’s First Piano Concerto under the leadership of Chief Conductor Alan Gilbert who also leads the orchestra in an account of the composer’s Classical Symphony. View here. 2 pm ET: The Royal Opera House presents Puccini’s Il Trittico. Il Tabarro, set aboard a barge on the Seine, stars Lucio Gallo as Michele, Eva-Maria Westbroek as Giorgetta, and Aleksandrs Antonenko as Luigi. Suor Angelica has Ermonela Jaho in the title role of the nun whose familial sacrifice is at the heart of the opera.

MusicalAmerica - MA s Free Guide to (Mostly) Free Streams, Jan 25-Feb 1

Wagner’s Die Walküre. Conductor: Adam Fischer, director: Sven-Eric Bechtolf. With Christopher Ventris, Ain Anger, Waltraud Meier, Linda Watson, and Tomasz Konieczny. Production from January 2016. Register for free and view here. 1 pm ET: Copland House presents Underscored: Jalbert’s Crossings. Vermont-born composer Pierre Jalbert was inspired by the migration of people voyaging into new and unfamiliar places and traces Jalbert’s own French-Canadian-American ancestry. Crossings is built around a folk song from Quebec, Quand j’ai parti du Canada (When I Left Canada), which is deconstructed, reinterpreted, reassembled, and reordered in inventive and unexpected ways. The program features a complete performance of the work, preceded by an introductory conversation with the composer, and followed by a live Q&A with viewers. Register and view here.

MusicalAmerica - MA s Free Guide to (Mostly) Free Streams, Jan 18-25

1 pm ET: Wiener Staatsoper presents Giselle. Conductor: Valery Ovsyanikov, choreography: Elena Tschernischova after Jean Coralli, Jules Perrot and Marius Petipa. With Nina Poláková, Masayu Kimoto, Rebecca Horner, Andrey Kaydanovskiy, Alice Firenze, Leonardo Basílio, and Soloists and Corps de ballet des Wiener Staatsballetts. Production from September 2017. Register for free and view here. 2:30 pm ET: Philharmonie de Paris presents Casadesus conducts Debussy, Ravel, Schumann & Beethoven. Jean-Claude Casadesus conducts the Orchestre du Conservatoire de Paris in a Franco-German program of Debussy’s Prélude à l’après-midi d’un faune, Ravel’s Pavane pour une infante défunte Schumann’s Piano Concerto with soloist David Kadouch, and Beethoven’s Symphony No. 1. View here. LIVE

Winter Arts Guide: Performing Arts

Tweet Nashville OperaPhoto: Peyton Hoge In a season marked by uncertainty, Nashville Opera CEO and artistic director John Hoomes remains characteristically focused and optimistic. “It’s been such a challenging time for everyone in the arts world, but we’ve done our best to stay strong and keep moving forward,” says Hoomes, who has served as Nashville Opera’s artistic director since 1995. “Heading into this fall, we were determined not to surrender to this pandemic. We have a wonderful Opera Guild and incredible supporters, so knew we just had to get creative. So yes, our season has looked a little different this year, but we’re still here. We were able to keep all of our staff on board, and we were able to continue producing good work this fall and I’m really proud of that.”

© 2025 Vimarsana

vimarsana © 2020. All Rights Reserved.