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The team will introduce the company’s global music licensing and creative expertise to Central and Eastern Europe
Big Sync Music has announced the opening of a new office in Warsaw, Poland. The Warsaw office is the latest addition to Big Sync s expanding global footprint, joining locations in Los Angeles, New York, London, Paris, Hamburg, Singapore, and Sydney. Big Sync Music is a Songtradr company, acquired by the music licensing marketplace in 2019. We ve been looking to expand into the Central and Eastern Europe region for some time, and Warsaw is the perfect location, says Paul Wiltshire, CEO of Songtradr. We re excited to grow our team in an entirely new culture and bring Big Sync s initiatives to such an exciting new market.
Songtradr-owned Big Sync Music expands into Warsaw, Poland
March 15, 2021
Songtradr-owned creative music supervision agency Big Sync Music is expanding into Warsaw, Poland.
The Warsaw office is the latest addition to Big Sync’s expanding global footprint, joining locations in Los Angeles, New York, London, Paris, Hamburg, Singapore, and Sydney.
Big Sync Music, which works with brands such as Unilever, Lipton and Google, was acquired by Santa Monica-based music licensing platform Songtradr in 2019.
The team in Warsaw is led by Head of Music at Big Sync Warsaw, Michal Krajewski.
As Head of Music, Krajewski is responsible for managing revenue and operations while overseeing all creative, client relations, and leading the team on the ground in the territory.
By: Eric Renner Brown
Michael Ochs Archives / Getty Images
Wild StreamJimi Hendrix performs at the Monterey Pop Festival in 1967, a performance captured in “American Landing: Jimi Hendrix Live at Monterey,” one of more than 140 archival music films now streaming on Amazon via The Coda Collection.
Long before the pandemic took physical touring offline and left streaming and digital content as the only ways for fans to connect with live performances, Jim Spinello, John McDermott and Janie Hendrix were conceptualizing an online hub for archival concert footage.
About a decade ago, McDermott and Hendrix, who manage the catalog and family trust, respectively, or late legend Jimi Hendrix, identified a problem: Hendrix’s vast trove of audio-visual content, like many legacy artists, didn’t have a logical, centralized place to live online.
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