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Origin Theatre Company Announces 2021 BLOOMSDAY REVEL

On Sunday June 13 at 3pm, Origin Theatre Company will present the 8th annual edition of its popular immersive Bloomsday celebration, renamed the Bloomsday Revel. Co-produced with Blooms Tavern, which, once again, hosts the live event at its two-level Midtown home at 208 East 58th Street, the distance-safe, in-person staging mixes a juried costume contest and dramatic readings from Ulysses performed by a cast of celebrated New York-based Irish actors including Terry Donnelly, Fiona Walsh, Una Clancy, Ed Malone, Aidan Redmond, Fiona Walsh, Gina Costigan, and Sarah Street. Musical interludes are performed by the Irish folk-rock troubadour, Alan Gogarty. A limited amount of in-person tickets for the Bloomsday Revel are now on sale. Included in the $45 ticket price are Bloomsday-inspired passed hors d oeuvres and an open bar from 3pm to 6pm. For tickets visit www.origintheatre.org

Irish born activist Mother Jones remains an inspiration

  Irish-born trade unionist and children’s rights activist Mother Jones is an inspiration to modern female labour activists in America, a virtual ceremony has heard. The ceremony saw the unveiling of two paintings of Mother Jones by Lindsay Hand. Irish Ambassador, Dan Mulhall recalled how Mother Jones, born Mary Harris in Cork in 1837, became one of the most famous women in America through her campaigning for proper wages for miners and other workers. “Mother Jones was a remarkable woman - she crossed the Atlantic as a young girl and made a huge contribution to her adopted home through her union work after she lost her husband and four children in the Yellow Fever in 1867.

Independent Ireland: A centennial perspective | VOX, CEPR Policy Portal

Morgan Kelly The Irish economy has periodically been held up as an example that other countries can learn from, but the lessons to be learned have varied over time. Depending on the period, it has served as a model to be followed or a sobering lesson in failure. In 1988 The Economist dubbed it “the poorest of the rich”; by 1997 the same magazine was hailing it as “Europe’s shining light”. In the run-up to the Great Recession the country was “a poster-child for what not to do”; by 2013 it was “setting standards” for how to recover ( The Economist 2015, Roche et al. 2016: 1). 

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