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[L image du jour] En Chine, des architectes français conçoivent cet impressionnant ruban métallique

[L image du jour] En Chine, des architectes français conçoivent cet impressionnant ruban métallique
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Chinese architecture

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Flying Splinters

Why Read This? Grassroots efforts to protect the environment in China rely heavily on independently printed or electronically transmitted words. But when the voice of an environmental activist such as Liu Futang rubs authorities the wrong way, silence can be quickly enforced. The sudden shutdown of Liu’s microblog, his arrest on charges tied to self-published books, and his recent trial follow a pattern of occasional yet often harsh, authoritarian action against environmentalists involved in locally specific campaigns across the country. The good news is that even small-town environmental conflicts are becoming increasingly visible to the general public nationwide through printed and microblogged words.

Sweeping metal ribbon enfolds Suzhou Bay Cultural Center in China

A ribbon of steel and aluminium winds around the Suzhou Bay Cultural Center, which French architect Christian de Portzamparc has completed on the shore of Lake Tai in China. Set on an esplanade in Wujiang District in Suzhou, the centre is divided into two distinct wings that contain a mix of performance halls, educational spaces and galleries. The wings are unified by a curved, 500-metre-long metal structure, which swoops up and around them in a figure of eight and distinguishes the building from afar. Above: the cultural centre sits on the shore of Lake Tai. Top image: it is wrapped by a continuous metallic ribbon

Suzhou Bay Cultural Center is a Coexistence of Large and Small scales : Interview with Christian de Portzamparc

Copy The Suzhou Bay Cultural Center is part of a series of emblematic projects initiated by the city s Wujiang Lakefront Masterplan. Located on the shores of Lake Tai, the deserted plain was discovered by Christian de Portzamparc in 2013, while rethinking the future city. It was then built so quickly, that the architect never ceased to be amazed after every visit. Alive, it is like a real Manhattan of towers organized through a grid of streets and avenues, bordering a central pedestrian axis that heads towards the lake. It was clear that the meeting of this pedestrian axis and the great lake would generate an exceptional place, and it was on this site, on each side, that the cultural center was to be implanted in the architecture competition.

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