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Reopen, rebuild: Calgary galleries, museums begin road to recovery after COVID-19 closures

Reopen, rebuild: Calgary galleries, museums begin road to recovery after COVID-19 closures
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Andrew Kreps Gallery opens an exhibition of new works by Liz Magor

SNEEK-E-PEEP N at Esker Foundation - The Gauntlet

Since COVID hit, many artists had to find unique ways to adapt to the new environment. Calgary artist Kasia Sosnowski found a way to bring art to the people amidst the pandemic. Her ceramic sculptures are fun, colourful and quite aesthetically pleasing. In her new exhibit at the Esker Foundation, SNEEK-E-PEEP’N, Sosnowski ventures into ceramic art and leaves room for the observer to interpret the art however they wish. The colour scheme helps understand the playfulness that her installation conveys as well as provide a glance into the contemporary art world. Her exhibit shows that one can still have fun during the hard times that we are all going through. In the exhibit, there are anatomically exaggerated parts of the human body and it does not necessarily have a cultural representation nor a specific statement behind it. This art targets the viewer perspective to initiate provocative or evocative emotions. Even though there are hardships, her sun sculpture shows that there is h

As the Arctic s only ceramic arts studio, Matchbox Gallery is changing our ideas of Northern art

As the Arctic s only ceramic arts studio, Matchbox Gallery is changing our ideas of Northern art Studio founders Jim and Sue Shirley have spent 30 years helping to foster a thriving creative scene in Kangiqliniq, Nunavut. Social Sharing Jim and Sue Shirley have spent 30 years helping to foster a thriving creative scene in Kangiqliniq, Nunavut Posted: Dec 10, 2020 12:00 PM ET | Last Updated: December 10, 2020 Facing Forward by Pierre Aupilardjuk and Shary Boyle.(Photo by M.N. Hutchinson) Facing Forward, a collaboration by Inuit artist Pierre Aupilardjuk and Toronto-based artist Shary Boyle, looks like an artifact from another planet. Boyle s contribution a porcelain, human-like figure wearing a colourful herringbone-pattern dress is seated, elbows resting on its knees, holding up its three heads. The heads, made by Aupilarjduk, seem ancient, with smoke-fired surfaces and vacant eyes. The piece is like a visual dialogue between the artists, unfolding at an unconscious lev

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