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Issue 219 | frieze magazine
frieze.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from frieze.com Daily Mail and Mail on Sunday newspapers.
Current issue - May 2021 - Issue 219 – Frieze Magazine
frieze.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from frieze.com Daily Mail and Mail on Sunday newspapers.
Almine Rech opens Marcus Jahmal s first exhibition in Paris
Marcus Jahmal, New Religion, Almine Rech, Paris, April 15- May 29, 2019 © Marcus Jahmal - Photo: Rebecca Fanuele. Courtesy of the Artist and Almine Rech.
PARIS
.-Almine Rech Paris is presenting Marcus Jahmals exhibition, New Religion, on view from April 15 - May 29, 2021. This is Jahmals third solo exhibition with the gallery and his first in Paris. The exhibition will be followed by the artists second monograph, published by Almine Rech Editions.
For Marcus Jahmal, painting begins with black. Ivory Black, Lamp Black, Intense Carbon Black. These layered shades of oil give his works an intense chromatic texture reminiscent of Ad Reinhart. Coaxing an image from a black-primed canvas is a deeply spiritual, apophatic process, a kind of accumulation through negation, a way of communing with the void. True to form, Jahmal calls painting his religion. A self-proclaimed night-owl, he often works in the evening ligh
Artists and writers reflect on domestic exhibition spaces in Los Angeles, from 1940 to the present
Since the dawn of the 20th century, artists pursuing their dreams in Los Angeles have found a city rich in creative possibilities but often short on creative infrastructure. In response, they’ve built their own, tucked away in the abundant private homes, apartments and gardens of the city’s fertile plain. Exhibitions in closets, bathrooms and garden sheds are amongst the most interesting in a metropolis increasingly at the centre of the globalized art world. Charting a partial map of these domestic spaces over the past 80 years, this special section looks into what architectural historian Reyner Banham called, in
The artist discusses her use of mirrors and their ‘destabilizing’ effects
Evan Moffitt: Mirrors recur throughout your work. What interests you about them?
Barbara Bloom: I’m constantly working in both two and three dimensions, back and forth. Mirrors are two-dimensional objects, but they reflect the third dimension. When a person looks at a mirror in an artwork, they see themselves looking at the work. I’m trying to call awareness to the active sense of looking.
EM: Is your understanding of active looking informed by modernism, which centres on the way artworks situate the viewer?
BB: I’m interested in worlds within worlds, references within references – Charlie Kaufman, Jorge Luis Borges. The first artists who interested me were those making phenomenological work about the nature of seeing, like Robert Irwin and Eric Orr. When you look at Irwin’s dot paintings and then look away, they leave an afterimage. I remember reading Lawrence Weschler’s description o
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