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Synopsis: Animation journalist Alex Dudok de Wit explores Isao Takahata s 1988 film Grave of the Fireflies from the angle of what Takahata s intended message and vision was versus what audiences tend to take away from their viewings. Review: Animation journalist Alex Dudok de Wit explores Isao Takahata s 1988 film Grave of the Fireflies from the angle of what Takahata s intended message and vision was versus what audiences tend to take away from their viewings. Review: Isao Takahata s 1988 World War Two film Studio Ghibli. While this is largely true – even if you sobbed through When Marnie Was There, it s hard to top two young siblings dying at the end of the war for pathos – Alex Dudok de Wit s analysis argues that to see the film as nothing more than an emotionally manipulative weepy is to ignore Takahata s original vision for the piece. Takahata, he says, wanted modern viewers to understand that the children s fates were in part a result of selfishness, and t

United kingdomIsao takahataElizabeth bowenAlain resnaisMarguerite durasMon amourStudio ghibliWar twoMarnie was thereAlex dudok de witDemon loverDudok de witஒன்றுபட்டது கிஂக்டம்இசாோ தகாதஎலிசபெத் குனிமோன் அமெரி