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The longer I'm a movie critic and the more films I see, the more I believe that screwball comedy is the most difficult of all film genres. It is a truism among actors that comedy is harder to play than drama, even though serious performances are routinely more honored and praised. But straight comedy is a cinch, I think, compared to screwball, which is an art so exacting and difficult that when it works it's a miracle. “But what,” I hear some readers asking .”what exactly is screwball comedy?” James Monaco's invaluable How to Read a Film defines it as: “A type of comedy prevalent in the 1930s, typified by frenetic action, wisecracks, and sexual relationships as an important plot element. Usually about middle- and upper-class characters and therefore often involving opulent sets and costumes as visual elements. highly verbal, as opposed to its predecessor, the slapstick comedy.” Given this definition, “Too Much” is a screwball comedy in every ounce of its bei

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