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/ Blackpentecostal Breath: The Aesthetics of Possibility is proving to be a profoundly influential as well as innovative book. Its author Ashon T. Crawley – academic and artist – features in two exhibitions (one current, one upcoming) which explore themes taken from the book. A plenitude and plurality is found in these artworks composed of worship, lament and joy – JE Enunciated Life at California African American Museum takes as its starting point Crawley’s idea that ‘black pneuma’, a communal choreography of inhalation and exhalation experienced within Black Pentecostalism has the power ‘to enunciate life, life that is exorbitant, capacious, and fundamentally social, though it is also life that is structured through and engulfed by brutal violence.’ [1] Otherwise/Revival at Bridge Projects from April utilizes Crawley’s suggestion that the elements of the Black Pentecostal Church the Hammond organ, emphatic breath, shouting, and glossolalia create space for

New yorkUnited statesSaint nicholasVale of glamorganUnited kingdomFordham universityPentecostal churchUniversity of illinoisElleza kelleyClementine hunterSteffani jemisonBilly markLos angelesKymberleyn pinderGertrude morganCarrie mae weems