oxhy is cleansed during a filthy spring ceremony in ‘outside’
A track from the London artist’s debut album, Woodland Dance.
oxhy kneels on the muddy banks of a river, the hum of one thousand flies and the churn and squelch of the river’s mud thick and dense around his crouched form. Surrounded by the skeletal remnants of wooden posts and scrub, he cups his hands to wash himself in the filthy water, the sun glinting off its slow-moving flow. This is how we find the London-based artist on the opening track of his debut album, Woodland Dance.
In comparison to the scorched-earth abrasions of 2017’s respite unoffered and his doom-laden turn on Yves Tumor’s Serpent Music, for Woodland Dance oxhy turns inward, opting for a looser, more intimate and reflective take on his experimental club variations. Describing this refined sound to
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Against The Clock: Khyam Allami
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Against The Clock: Khyam Allami
An exploration of Arabic and African tunings using Allami’s own transcultural music-making tools, Apotome and Leimma.
Khyam Allami is an Iraqi-British musician and composer whose career has spanned several decades and multiple instruments. Following the invasion of Iraq in 2003, Allami decided to reconnect with his roots, and began to study the Oud, Arabic and Iraqi music, which he explored on his 2011 debut solo album, Resonance/Dissonance.
Allami’s current focus, which he launched as part of this year’s CTM Festival, is Apotome, a project developed with creative studio Counterpoint. Apotome is a generative music system focused on transcultural tunings and their subsets, which has been designed to operate alongside Leimma a sister application that is used to explore and create these tunings.
Sakari Salminen palasi kotiin intoa piukassa: Voi sanoa ilmaiseksi iltalehti.fi - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from iltalehti.fi Daily Mail and Mail on Sunday newspapers.