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The fabric of nature wah hrægel” or “ wah rift” – wall coverings – and in the most well-off of later houses the natural world was also present in the form of decorative plasterwork, embroideries and tapestries. Painters were the Johnny-come-latelys, slow to realise the potential of the landscape. The way we now fetishise oil paintings would have been inexplicable to our ancestors. Inventories from the early Renaissance onwards show that the most valued chattels were furniture and, above all, tapestries. It is easy to see why: it could take a skilled weaver a month to complete a square metre of tapestry, while a painter could knock out that sort of coverage in a couple of days.

France generalBruxelles capitaleHenri rousseauPeter doigEdmund spenserJohn skeltonPope leoCardinal wolseyWilliam morrisArt institute of chicagoSistine chapelDevonshire hunting tapestriesHundred year warArt instituteNew worldFaerie queen