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To indulge our snarky side like this, however, represents a failure on our part to engage with the film on its own terms. Roger Ebert’s po-faced take on the film – “Doesn’t deserve one nanosecond of serious analysis” – sums up the problem. Longo’s film is at its heart a comic-book comedy, and belongs to a tradition of cinematic eccentricity of which Terry Gilliam’s best work might be exemplary. There are nods to the more serious, “cerebral” sci-fi of Strange Days and The Matrix, but each motif is heightened, given a touch of absurdity. Prophetically, in Johnny Mnemonic’s 2021 a pandemic ravages the planet. This is no natural virus, however, but the wifi-transmitted disease known as “the black shakes”, it’s victims suffering violent seizures caused by the sheer volume of data they are forced to absorb in their techno-crazed society. The cure for this disease is of course to be found in the data file squirrelled awa

United statesUnited kingdomOliver stoneWillem dafoeHenry rollinsSam raimi darkmanWilliam gibsonKeanu reeveTerry gilliamAbel ferraraDolph lundgrenRoger ebertRobert longoTed theodore loganRose hotelJohnny mnemonic