January 12, 2021
Canadian Country trio PETRIC – Jason Petric, Tom Petric and Jordan Day – formed in 2014 and in 2015 they became the first act to sign to Dallas Smith’s Steelhead Music record label. With two EPs under their belt – 2015’s ‘It Girl’ and 2017’s ’18 Ends’ – the band is releasing their 9-track album ‘Flashbacks’ this week, building on the solid foundations they’ve been building the past few years.
Fans of the band will be familiar with a handful of the tracks on the release as they’ve been released as singles in the run-up to the full release of ‘Flashbacks’. Taking inspiration from the 90s and the 00s when Country music, in my opinion, was at its best PETRIC have crafted a 9-track collection that’s addictive from start to finish. Opening with ‘Kids’, the band’s current single, ‘Flashbacks’ starts strong with pulsating rhythms and a radio-friendly hook. The chorus explodes and you can imagine being in a packed arena (remembe
"Shaun das Schaf" am Dienstag verpasst?: Wiederholung von Folge 134, Staffel 5 online und im TV
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Beste Filme 2020 - die Liste der SZ-Kritiker
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But legendary singer Nat King Cole was a braver man than most. During his run at the Glasgow venue in 1954, he was heckled relentlessly by fans badgering him to sing When I Fall in Love. Exasperated, the star finally snapped: “Perhaps you would like to come up and sing it yourself?” This was a mistake. The delighted fan wasted no time in hopping up on to the stage and starting belting out the classic. With his arm around a thoroughly taken aback Cole, he yelled: “Come on Nat, join in….” The velvety-voiced jazz crooner and pianist was born Nathaniel Adams Coles in Montgomery, Alabama in 1917.
Autumn Leaves (1956) is interesting in how its two genres struggle with each other rather than blend.
When the Criterion Channel put together its “Frame of Mind” collection of films about psychiatry, it included two Joan Crawford films: 1947 s
Possessed, a noir melodrama, and
Autumn Leaves, from 1956. Another melodrama with noir elements,
Autumn Leaves is less successful than
Possessed but still interesting for the way its two genres struggle with each other rather than blend, and the way psychiatry’s invoked not just to tie up the plot but to resolve the tensions of the film’s story.
Directed by Robert Aldrich from a script by Jean Rouverol and Hugo Butler (who, blacklisted, were credited together as “Jack Jevne”), Lewis Meltzer, and Robert Blees, it’s the story of Millie Wetherby (Crawford), a lonely typist in Los Angeles. We see her isolation, and then see her meet Burt Hanson (Cliff Robertson). The significantly younger Burt takes a romantic interest i