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(1986), oil on canvas, 63 1/2 x 51 3/8 inches. Image via Christie’s Swollen, glistening, and saturated with illusion, the ubiquitous water drop absorbed Kim Tschang-Yeul throughout his career. The Korean artist, who died earlier this year, was faithful to the seemingly mundane subject matter, choosing to depict the dewy orbs repeatedly after an initial painting in 1972 following his relocation to France. Inspired originally by a water-soaked canvas in his studio, Kim nurtured the viscous element in his hyperrealistic paintings created across nearly five decades. In an essay about the artist’s unending commitment, Dr. Cleo Roberts writes: It is a tendency that seems to unite many of Korea’s avant-garde who took from Art Informel in the early ‘60s, including Ha Chong-Hyun and Park Seo-Bo. In this generation of artists, there is a ritualistic devotion to a chosen form, process, and, at times, colour. One could venture that, in the context of living in a volatile country ravag

City ofUnited kingdomCleo robertsMatt kroeningAlmine rechKim tschang yeulRebecca fanuele waterdropRebecca fanueleArt informelWater dropsIndia inkநகரம் ஆஃப்ஒன்றுபட்டது கிஂக்டம்கிளியோ ராபர்ட்ஸ்தண்ணீர் சொட்டுகள்இந்தியா மை